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François-Bernard Mâche's Musique, mythe, nature, ou les Dauphins d'Arion (1983), a study of "ornitho-musicology" using a technique of Ruwet's Language, musique, poésie (1972) paradigmatic segmentation analysis, shows that birdsongs are organized according to a repetition-transformation principle. In the opinion of Jean-Jacques Nattiez (1990), "in the last analysis, it is a human being who decides what is and is not musical, even when the sound is not of human origin. If we acknowledge that sound is not organized and conceptualized (that is, made to form music) merely by its producer, but by the mind that perceives it, then music is uniquely human." Music theory is the study of music, generally in a highly technical manner outside of other disciplines. More broadly it refers to any study of music, usually related in some form with compositional concerns, and may include mathematics, physics, and anthropology. What is most commonly taught in beginning music theory classes are guidelines to write in the style of the common practice period, or tonal music. Theory, even that which studies music of the common practice period, may take many other forms. Musical set theory is the application of mathematical set theory to music, first applied to atonal music. Speculative music theory, contrasted with analytic music theory, is devoted to the analysis and synthesis of music materials, for example tuning systems, generally as preparation for composition. History Main articles: History of music, and [[]], and [[]], and [[]], and [[]] See also: Music and politics The history of music in relation to human beings predates the written word and is tied to the development and unique expression of various human cultures. Music has influenced man, and vice versa, since the dawn of civilization. Popular styles of music varied widely from culture to culture, and from period to period. 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he word piano is a short form of the word "pianoforte", which is in turn derived from the original Italian name for the instrument, gravicembalo col piano e forte. Literally harpsichord with soft and loud, this refers to the ability of the piano to produce notes at different volumes depending on how hard its keys are pressed. The name pianoforte is considered a formal term and is seldom used.